Tuesday, September 16, 2014



In this paper I am going to argue that the directors of the movies portrayed women in the earlier years of  film either as symbols of sex or as unintelligent help but later showed a more complex and “real” portrayal of women.
In Cabiria the women characters in the movie are nurses or servants. This movie made in 1914 is set when women were still mainly viewed as homemakers and mothers. In the early 1900’s which is when this movie was made women still didn’t have many rights and the movement to get them was still in progress. Women hadn’t broken down all of the gender barriers yet. Although the titles of the movie is Cabiria which is the name of the little girl who is abducted and sold by pirates her role in the film is primarily getting carried around and thrown around with not much emotion or character complexity. We never really get a insight into the feelings or emotions of the little girl as well as any other women in the film. Surprisingly enough even small roles like that of the lowly innkeeper become developed over time. The innkeeper is a role played by a male character.
Women slowly start to get larger roles also in the earlier films men were usually the main characters. In the later Ben Hur Esther plays a larger role in the story and influences Ben Hur. She is more of a support and caring person than just being someone to “lure” him in.
Finally 50 years later come Cleopatra where the main focus of the movie is the female role of the ruler of Egypt, Cleopatra. Although she is sometimes portrayed as a temptress who uses her sexuality to “lure” in men, we also see insight into her emotional thoughts and get to connect to her more.
In conclusion, you can see the transformation of how men directors portrayed women as the years have passed. They have slowly transformed from minor roles with little screen time to more major roles. Over time the women stopped becoming the negative influences and started being the supportive force in the relationship as illustrated in the remake of Ben Hur.

8 comments:

  1. You mention how all the women characters in Cabiria are either servants or nurses but what about the women to whom Cabiria is entrusted? Does she not become very powerful as the movie progresses?

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    1. You mean Cabiria's nurse, Croessa, right? Her character is definitely much more fleshed out than Cabiria's own, but I wouldn't call her "powerful." Important, yes, but "powerful"? She's kind of the female version of Maciste, the loyal slave who tries to defend her mistress, suffers for her (gets whipped), and in the end, when she successfully helps Cabiria to get away, probably has to pay for her loyalty with her life.

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  2. If you discussed more about how the role of being the "lure" changed, meaning that instead of women just being a lure or a villain for the men, they used their sexuality as a way of gaining more power. Thats something that has changed throughout the movies over time

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    1. When you think about the two "Ben Hurs", we have a good, angelic woman (Esther) in both, but an evil temptress, Iras, only in the first one. Still, even Cleopatra in 1963 still has features of the typical temptress who tends to ruin her lovers. Julius Caesar gets murdered because he's reaching too far, trying to become King of Rome just like she is Queen of Egypt and thereby earning the animosity and hatred of his fellow Roman nobles. Only at the end do we see that Cleo is more than an ambitious temptress, because she clearly loves both her son and Marc Antony.

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    2. What makes Elizabeth Taylor's Cleo unusual is that she at least once makes fun of the stereotypical vamp role, when Caesar's visit is announced and she and her maids quickly change into more provocative costumes because this is what a Roman would expect to see in an Egyptian Queen's bath.

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  3. Very interesting topic, and clearly marked thesis. I agree that the character of Cabiria herself gets short shrift for most of the movie. Instead, and your abstracts seems to forget this, the movie focuses first on the temptress Sophronisba. In the beginning, we observe her forbidden love for Massinissa, then we see how she conquers Massinissa after he returns to her after her husband's defeat and death. Cabiria as the Damsel in Distress only comes to the fore in the last third or so of the movie when she brings water to the Roman prisoners and is recognized by the high priest Karthalo as the victim that got away.

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  4. By the way, does your paper have a title too?

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    1. Not yet I am still trying to think of a creative one.

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